[identity profile] cesperanza.livejournal.com posting in [community profile] sga_flashfic
Title: Scars (1453 words)
Author: Speranza
Pairing: McShep
Excerpt: Rodney opened the door and didn't ask any stupid questions.



Scars
by Speranza
for lim

Rodney's house was on Route 89 about forty miles north of Prescott, Arizona. It was a squat brick thing, just a single story, with a slanting slate roof. Rodney opened the door and didn't ask any stupid questions, didn't say, "So, you finally gave up?" or "Did they throw you out?" or even "See, I told you." Instead he just opened the door and said, "End of the hall, second to last door on the right." This turned out to be a small bedroom with a full-sized bed piled high with pillows and heavy quilts; weird in the desert, but then again, the house was freezing with air conditioning.

It was the most comfortable bed he'd ever been in. He slept like the dead there.

* * *


They didn't talk. John mostly sat outside on the hot, concrete stoop of the house, reading The Day of the Triffids and The Paradox Men and Cat's Cradle, all of which he'd plucked from Rodney's shelves, having lost War and Peace a couple of planets ago. At night, Rodney made sandwiches and heated cans of soup, and John wrapped himself in a blanket and watched Twilight Zone episodes and shivered pleasantly in the cold. Sometimes he fell asleep on Rodney's shoulder and woke up on the sofa the next morning with a crick in his back.

* * *


Rodney paid no attention to his house, so sometimes John swept brown dust off the stoop or gathered brush off the garden path or beat the weird spider-things with a broom. Sometimes Rodney would come out and say, "What the hell are you doing?" and John would wave his hands frantically as if to say, "Look! Weird spider-things!" He drove into town and bought some cacti and some pampas grass and something called "lantana", just because of the name: it was a green bush with little yellow flowers. The guy at the garden store said it would all grow in the desert. John got a really bad sunburn the day he planted everything, and Rodney rolled his eyes and spread a thick white paste all over his face and arms. It got hard when it dried, and he kept scrunching his face in weird ways when they watched that night's episode of Twilight Zone.

* * *


Rodney spent most of his time at a large L-shaped desk in the living room, staring at mathematical models on his computer or sometime paging irritably through the thick white journals that kept arriving in the mail and piling up in stacks. After his sunburn healed, John spent more time on Rodney's sofa and less time out on the stoop, so he was there when Rodney wheeled around and shoved a computer tablet at him.

"What do you think of that?" It was the first thing they'd said to each other in days.

He took the tablet and stared down at it; it was a mathematical expression of the connection between reaction speed and driving force in an electron transfer reaction, but he wasn't smart enough to understand this; not by half. "I don't..." he said slowly, admitting defeat even as his brain kept trying to make sense of the numbers, and Rodney made an impatient-sounding noise, grabbed a large, spiral-bound pad of heavy drawing paper and a pencil, and shoved next to him on the sofa. And suddenly he was sketching, drawing a geometric shape, in three dimensions--no, four--five. John hunched forward and stared at the pale hand guiding the pencil.

"Oh," he said, as Rodney shaded in the shape-- an inter-dimensional divot, straddling the fourth and fifth dimensions. "Oh," John said, thinking that he was maybe really getting it, and then he grabbed the sketch pad and looked back and forth between the numbers and Rodney's representation of them. He was beginning to get it.

* * *


That night Rodney came into his room and blew him, moving silently and pushing the heavy covers off John's legs. John let him, gasping up at the shadowed ceiling and coming hard into the wet warmth of his mouth. He wanted to reciprocate, to pull Rodney up onto the bed beside him, but Rodney was already slipping away into the darkness. The guest room door closed, and John didn't have the energy to get up. The next morning, he got up early and reciprocated the only way he knew how: by making bacon and eggs and strong black coffee. Rodney staggered out of his room wearing boxer shorts and a look of desperate gratitude.

* * *


It ambushed him when he wasn't prepared for it, or maybe he would never be prepared for it. He was stretched out sideways on Rodney's sofa, head pillowed on his arm, watching some prime-time reality show. A dancer came out, sinewy and beautiful, and he had thought he was beyond noticing women, but he sure was noticing her. And then a steel band tightened around his chest. "Teyla," he said, before he could stop himself.

He heard the wheels of Rodney's ergonomic chair squeak, but didn't turn around, because he was suddenly, horrifyingly sure that he was about to cry. And then he heard a wet-sounding gasp, and turned, helplessly, to look. Rodney was staring at the television, his pale skin blotchy. Tears rolled and splashed down his face, though he didn't seem to notice; just raised his arm to swipe at his cheek without looking away from the screen. John had never been so grateful for anyone in his entire life, because Rodney was crying, Rodney was, so he didn't have to. He stared at Rodney for a long, long time.

* * *


That night he went to Rodney's room and got into bed with him. They didn't fuck; they barely even touched. John just stole one of Rodney's pillows, tucked it under his head, and sacked out on his side of the bed, what he had just claimed as his side of the bed. It was warm with both of them in it, and Rodney's soft sleep-mumblings sounded like home to him. He wondered if Rodney missed the way he snored after heavy meals.

* * *


It was a couple of days before he tried anything, before he awkwardly stroked his hand down Rodney's t-shirted back. Rodney didn't say anything, and so John moved his hand to Rodney's hip and let it rest there for a while, and then, when Rodney didn't move or complain, he slid his fingertips underneath the loose elastic of Rodney's boxers. Rodney went very, very still, and then let out a breath, and then suddenly it was all happening: Rodney was kicking down his boxers, and John was pulling his shirt off, over his head, and rolling on top of Rodney, and kissing the back of his neck.

It wasn't until he had two fingers in Rodney's ass that Rodney said, in a strangled-sounding voice, "Don't hurt me," and John stopped, because okay, maybe this lack of communication thing they had going wasn't such a good thing, after all. Were they even on the same page? "I--I won't," he said. "Rodney. I won't," and Rodney squirmed underneath him and said, "Good, fine, yes: so what are you waiting for?" and it wasn't until he was inside Rodney and Rodney was groaning, "Yes. Harder. Do me, harder--" that John was sure that okay, yeah, this was the very same page.

* * *


He knocked the door closed with a tilt of his hip, and turned, a bag of groceries in each arm. Right away, he knew that something was wrong. Rodney was on the phone, and standing in a tense way that John knew well, too well. He stopped and listened.

"Mm-hm. Mm-hm. Yes," and Rodney's face was pinched in a familiar way, too. "Well, I don't see where you have anyone but yourselves to blame," he said, and he was looking at John, now. "No, he hasn't, not that that's strange: I wouldn't expect him to. You have to understand, it was years ago. No, I don't. No, I don't. Look, you could try his father," Rodney said. "I think his father's in Texas somewhere," and John nodded rapidly: yes, yes, that was good. "Other than that, I don't know where the fuck he is."

Rodney put down the phone then. John looked at him, shuffling the bags in his arms.

"Lentil?" he asked. "Or split pea?"

"Lentil," Rodney said immediately, "and slice up some of that cheese, okay? To put on top?" and John grinned and said, "Okay, Rodney; yeah," and went off to do it.

THE END
Page 2 of 3 << [1] [2] [3] >>

(no subject)

Date: 2007-05-21 02:43 am (UTC)
From: [identity profile] tropes.livejournal.com
God, yes.

I'll always sort of miss that tone that the first season had, before the show gave way to the Wacky Stargate Hijinks, when everything was darker and more uncertain. This recalls that and brings forth a sort of emotional legacy. Gorgeous.

(no subject)

Date: 2007-05-21 03:26 am (UTC)
From: [identity profile] tingler.livejournal.com
Teyla.

I--::cries::

(no subject)

From: [identity profile] tingler.livejournal.com - Date: 2007-05-21 07:20 am (UTC) - Expand

(no subject)

Date: 2007-05-21 03:37 am (UTC)
From: [identity profile] saphanibaal.livejournal.com
Damn, lady.

Who taught you to cut our hearts out and offer them back to us, and would it be possible for me to go there?

(no subject)

Date: 2007-05-21 04:14 am (UTC)
From: [identity profile] renenet.livejournal.com
Ohhhh. Ohhhhhh. OHHHHH! Oh.

Oh, yes. Yes, please.

(no subject)

Date: 2007-05-21 04:30 am (UTC)
From: [identity profile] sapote3.livejournal.com
well, _ouch_.
That was very good. And very ow.

(no subject)

Date: 2007-05-21 05:09 am (UTC)
ext_2202: Bob Blog! (Atlantis Scribble)
From: [identity profile] gemmi999.livejournal.com
Wow. I won't bother repeating everything that has undoubtly been said, because that's pointless. Instead, I will say that I wish I had the ability to write about things that happened without ever mentioning them. The way you drafted the story together with all this negative space--you used the positive space to define the negative, which I'm not even sure makes sense anywhere outside my mind. You used sparse interactions to define what wasn't present, and by defining what wasn't present--made the entire story so much more meaningful.

I guess what I'm trying to say is that there are some authors that think in order for a story to have angst, they have to write out everything that happens and try to explain the character's reactions. These stories are normally wonderful, but there's a level above that where the author is able to leave much more of the past up to the imagination of the reader, and because the author trusts the reader to fill in the gaps--the stories are that much more powerful.

I liked it. Thanks.

(no subject)

Date: 2007-05-21 12:58 pm (UTC)
From: [identity profile] taiteilija.livejournal.com
Oh wow, that was perfect. I love the mood in this and the way you never actually know what has happened to them.

That was a good read, thank you :)

(no subject)

Date: 2007-05-21 01:03 pm (UTC)
ext_230: a tiny green frog on a very red leaf (domestica africa antartica atlantica ero)
From: [identity profile] anatsuno.livejournal.com
[bandage]♥[/bandage]

(no subject)

Date: 2007-05-21 02:51 pm (UTC)
From: [identity profile] julesoh.livejournal.com
Brilliantly intriguing, thanks - awesome take on 'scars'. I loved that they were on the same page, and although my heart went ow! because, Teyla!, the ending was perfect. God, years.

(no subject)

Date: 2007-05-21 03:27 pm (UTC)
bingeling: photo of Aesop Rock, aka the most genius person to walk this earth (sga - mcshep opposites attract)
From: [personal profile] bingeling
Oooooh ouch!!

You made my mind wander to all sorts of places with this fic and somehow what gets me the most is that Rodney moved to the dessert of all places. Because clearly that's more important than Teyla or "Don't hurt me," or everything. o_O

Whatever. +is ouchy-happy because of fic+

(no subject)

Date: 2007-05-21 03:31 pm (UTC)
aurora: (SGA JohnRodney Infirmary)
From: [personal profile] aurora
*MEEP*

This totally broke me. But in a good way. And I really love how quiet this story is, like it's still in shock itself.

Also, now you've got me wondering how and where John lost 'War and Peace'.

(no subject)

Date: 2007-05-21 03:37 pm (UTC)
aurora: (SGA Atlantis)
From: [personal profile] aurora
ps: and something called "lantana", just because of the name
*sniffles*

(no subject)

Date: 2007-05-21 03:48 pm (UTC)
ext_2180: laurel leaf (atlantis // sga)
From: [identity profile] loriel-eris.livejournal.com
*flails* *breaks* I can't really get any more coherent than that. That was all kinds of awesome. Favourite bit was end. We know that Rodney left Atlantis before John (tho not whether her jumped or was pushed), and I loved the way that, as much as he loves Atlantis, Rodney refused to help SGC, and that he refused to give John up to them, and just the whole implication of what has happened (I do still want to know what happened tho). And *flails*

(no subject)

Date: 2007-05-21 09:56 pm (UTC)
From: [identity profile] infinimato.livejournal.com
There is so much *ow* here, it's like the scar that still aches years after the actual injury.

And there's something about Rodney's "Don't hurt me" that is, maybe, the ouchiest -- why would he even think that?

I don't think I want to know...

(no subject)

Date: 2007-05-21 10:42 pm (UTC)
wychwood: Atlantis seen under the curve of Earth's stargate (SGA - city exploring)
From: [personal profile] wychwood
Oh, John. Rodney.

:( ♥

(no subject)

Date: 2007-05-21 10:58 pm (UTC)
From: [identity profile] foxxcub.livejournal.com
I loved the descriptions of life in the Arizona desert. Makes me miss my spring break trip to Tempe. :)

(no subject)

Date: 2007-05-21 11:01 pm (UTC)
From: [identity profile] catheights.livejournal.com
Oh wow, this one hurt in such an extremely well done way. Rodney crying and John being grateful because Rodney crying meant he didn't have to cry really got to me. A bittersweet, achy and just lovely fic.

(no subject)

Date: 2007-05-22 02:25 am (UTC)
ext_1720: two kittens with a heart between them (Default)
From: [identity profile] ladycat777.livejournal.com
I love Rodney's silence in this. It speaks to his own changes, more subtle but probably more drastic too. s1 Rodney couldn't shut up to save his life; to have two days of utter silence? It makes a lovely juxtaposition. And, as always, your stories are achingly good :)

you got me

Date: 2007-05-22 05:26 am (UTC)
From: [identity profile] kormantic.livejournal.com
I totally choked up when John said her name. And then I cried when Rodney did.

(no subject)

Date: 2007-05-22 06:20 am (UTC)
From: [identity profile] sloganeer.livejournal.com
I love this story for the questions it made me ask, how it made me look for the characters I knew and tease out any bit of information from the short scenes, but I really love Rodney, on the phone, at the end, because that's when I let out a breath, like I had found Rodney again, just like John did, and I knew they were both going to be OK.

(no subject)

Date: 2007-05-22 08:07 am (UTC)
From: [identity profile] ceares.livejournal.com
I love the languid tone of this, the gradual healing John goes through, and the slow coming together. It's achy and hopeful at the same time.

(no subject)

Date: 2007-05-22 11:31 am (UTC)
From: [identity profile] rodneyscat.livejournal.com
It ambushed him when he wasn't prepared for it,

That's pretty much what happened to me too. Frankly, up 'till that point I was getting a slightly annoyed feeling of 'well, I don't need to know all the details, but it would be nice to get some story going here'. And then suddenly I sat there with my heartbeat banging loudly in my ears, literally reeling. Jesus!

The whole first bit suddenly made sense, and from there I just... Rodney crying, John carefully approaching Rodney, Rodney saying 'Don't hurt me', John wondering about the lack of communication thing (which is something I always wonder about in fics). I kind of sobbed my way through that.

On a more superficial note, I really liked the image of John closing the door with the tilt of his hip. Definitely the downside of Atlantis; all those automatic doors, that don't require John to tilt his hips in order to close them.

In short: thanks for sharing.

(no subject)

Date: 2007-05-22 10:05 pm (UTC)
From: [identity profile] bathsweaver.livejournal.com
Oh, I loved this. I think my favorite part was the mathematical equation slowly beginning to dawn on John's waking mind, even though his body seemed to instinctively get it. Like the whole of the story in concentrate--the way John was taking all the physical steps weeks or months before his mind turned to examine what he'd done.

Wonderful--thank you!

(no subject)

Date: 2007-05-23 12:10 am (UTC)
From: [identity profile] accidentalfan.livejournal.com
Seriously, this could go into a textbook as an example of "how much you can say with very few words." The scene-setting was beautiful. Thanks for it.

(no subject)

Date: 2007-05-23 01:45 am (UTC)
From: [identity profile] adafrog.livejournal.com
hmmm...very interesting. Would love to see more.
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